| Chapters |
11 |
| Release Date |
10/19/1999 |
| Packaging |
Snap Case |
| Screen Ratio |
1.33:1 |
| Audio Tracks |
ENGLISH: Dolby Digital Stereo
|
| Layers |
Single Side, Single Layer |
| No. of Disks/Tapes |
1 |
|
| Purchase Date |
12/1/2000 |
| Owner |
Thomas Eisenmann |
| Store |
Best Buy |
| Purchase Price |
$10.99 |
| Condition |
Excellent |
| Reviewed |
Widescreen Review
|
| Bit Rate |
192 KB |
| Anamophic |
No |
| Links |
IMDB
|
|
|
Includes two pairs of those backwards 3-D glasses, the 3-D trailer, and instructions on how to correctly wear 3-D glasses (please watch this). |
|
Story Synopsis:
You know, you’d think a little thing like how to put on a pair of glasses wouldn’t need explanation, but with the Rhino Home Video-packaged Comin’ At Ya!, you need these instructions. The reason being, the glasses were printed and folded backwards, leading you to believe that the red lens covers the left eye and the blue covers the right. DO NOT DO THIS! Fold the glasses the opposite way so the red lens is on your right eye. Then you’ll be able to see the intended 3-D effects. The story is really insignificant, but basically it’s about a girl who is kidnapped on her wedding day, the groom who chases after her, and the two outlaws who abducted her. (Laurie Sevano)
DVD Picture:
The 2.35:1 DVD is not anamorphically enhanced and exhibits poor image quality, with or without 3-D glasses. More a gimmick than a movie, a picture quality review seems a bit unnecessary. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 2.0 matrix surround soundtrack has been nicely restored, and is considerably preferable to the feeble 3-D picture. There is a notable stereophonic spread of the music across the screen and into the surrounds. The audio has a reasonably “clean” sonic character, for which some optical soundtrack artifacts can be noticed, but background noise is remarkably low. The surrounds are occasionally engaged, when spatially appropriate. The inherently compromised fidelity can’t be overlooked, nor the distortion. There is some deep bass extension at times that is somewhat surprising. Dialogue has a less-than-natural presence because of the dated recording. (Perry Sun)