| Series |
Bruce Lee |
| Chapters |
24 |
| Release Date |
7/3/2001 |
| Packaging |
Keep Case |
| Screen Ratio |
2.35:1 |
| Subtitles |
English |
| Audio Tracks |
ENGLISH: Dolby Digital Mono [CC]
|
| Layers |
Single Side, Single Layer |
| No. of Disks/Tapes |
1 |
|
| Purchase Date |
7/3/2001 |
| Owner |
Thomas Eisenmann |
| Store |
Best Buy |
| Condition |
Excellent |
| Reviewed |
Widescreen Review
|
| Bit Rate |
192 KB |
| Anamophic |
No |
| Links |
IMDB
|
|
|
A fifth disc is included in this set that contains the 88-minute documentary “Bruce Lee The Legend.” There are no extra features on the four movie discs. |
|
Story Synopsis:
Fists of Fury tells the tale of Cheng (Lee), an innocent country boy who is sent to live in the city with his uncle and cousins. He has promised his mother that he will refrain from fighting, but he is repeatedly tested when he goes to work in a local icehouse with his cousins. Immediately he is suspicious of the tyrannical boss and after some of his cousins are killed, Cheng must exact revenge on the criminals running the business. The Bruce Lee Master Collection (from which this movie was viewed) contains five discs: the documentary, “Bruce Lee The Legend” and his four films: The Chinese Connection (which was originally released as Fist Of Fury), which is not to be confused with Fists Of Fury (originally entitled The Big Boss, but - stay with me - occasionally The Chinese Connection has been incorrectly distributed as The Big Boss), Return Of The Dragon and Game Of Death. Incidentally, “Bruce Lee The Legend” is a well-done 88 minute documentary that chronicles the life and career of a man who will live on in the hearts of martial arts movie fans forever.
DVD Picture:
All four non-anamorphic DVDs appear to use the same poor transfers created for the LaserDiscs that were released in the 1980s. Images are generally wanting in sharpness, appearing out-of-focus on anything but close-up shots and lacking fine detail. Colors are often nicely rendered, with generally natural fleshtones, though dated. Large artifacts, minor pixelization and aliasing problems are apparent throughout. Edge enhancement is also distracting. Contrast and shadow delineation are poorly rendered, and as well, damage from the source material such as print scratches and artifacts are apparent. The picture measures 2.30:1.
Soundtrack:
The Dolby® Digital 2.0 soundtrack is encoded in dual-channel big fat mono. When Dolby ProLogic®-decoded, the mono is properly placed in the center channel. The soundtrack is of poor quality, so much so that you probably would not be able to differentiate the sound characteristics of this film from one made in the 1950s. Distortion is prevalent throughout, and dialogue intelligibility is compromised.