| Chapters |
34 |
| Release Date |
2/6/2001 |
| Packaging |
Keep Case |
| Screen Ratio |
2.35:1 |
| Audio Tracks |
ENGLISH: Dolby Digital 5.1 [CC]
|
| Layers |
Single Side, Single Layer |
| No. of Disks/Tapes |
1 |
|
| Purchase Date |
10/23/2009 |
| Owner |
Thomas Eisenmann |
| Store |
Best Buy |
| Purchase Price |
$14.99 |
| Condition |
Excellent |
| Reviewed |
Widescreen Review
|
| Bit Rate |
448 KB |
| Anamophic |
Yes |
| Links |
IMDB
|
|
Anamophic
|
Commentary with the Cast and Crew Featurette Interview with Robert Altman Trailers and TV Spots Cast & Crew Information Production Notes Scene Access Interactive Menus
|
|
Story Synopsis:
The story is cute, the ensemble cast is fabulous, and Lyle Lovett’s music is, as always, terrific, but be prepared...having to listen to the high-pitched chit-chatterings of all those women in Dr. Travis’s (Gere) gynecological office waiting room is as bad as, well, sitting around a gynecological office waiting room. Dr. T & The Women follows the popular physician as he watches his wife (Fawcett) sink into madness, as he copes with his daughter’s lesbianism, a pending wedding, and lots and lots of needy patients. (Laurie Sevano)
DVD Picture:
The anamorphically enhanced 2.35:1 DVD exhibits a picture that is quite pleasing in all aspects of image quality. Colors are well balanced throughout, with hues that are easy-on-the-eyes. Fleshtones are accurate, and blacks are deep and solid. Contrast and shadow delineation are pleasing throughout. While fine details shimmer on occasion, in clothing, or even the steering column of a golf cart for instance, distractions like edge enhancement are minimal, if noticed at all. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 5.1-channel soundtrack is dialogue and music-centric, with a subtle sense of spaciousness at times, but usually is characterized as predominating from the screen channels. Fidelity is rather good, and the sonic presentation is comfortable to the ears at reference level. Voices have been recorded with natural tonality and noteworthy integration with the visuals. The low-end is expectedly limited for this film’s genre. (Perry Sun)