| Release Date |
10/21/2003 |
| Packaging |
Keep Case |
| Screen Ratio |
1.66:1 |
| Audio Tracks |
ENGLISH: Dolby Digital Mono
|
| Layers |
Single Side, Dual Layer |
| No. of Disks/Tapes |
1 |
|
| Purchase Date |
4/15/2004 |
| Owner |
Thomas Eisenmann |
| Store |
DVD Planet |
| Purchase Price |
$22.46 |
| Condition |
Excellent |
| Reviewed |
Widescreen Review
|
| Bit Rate |
192 KB |
| Anamophic |
Yes |
| Links |
IMDB
|
|
Anamophic
|
Includes the 77-minute suspense-thriller "The Plumber" (also directed by Peter Weir), new interviews with Peter Weir regarding "The Cars That Ate Paris" and "The Plumber," as well as trailers for both movies. There is also a booklet included in the packaging. |
|
Story Synopsis:
Paris, Australia is a strange place, and anyone who drives through it finds out soon enough. Car accidents happen a bit too often and are usually met with fatal results. Arthur (Camilleri), however, is one of the few that survive his accident, but after spending a small amount of time in Paris with the town’s mayor (Meillon), he wishes that he hadn’t been so lucky. The good mayor is sure that he has the situation under control, but as The Cars That Ate Paris start taking over, Arthur becomes the one with the last laugh. (Tricia Littrell)
DVD Picture:
The anamorphically enhanced 2.35:1 DVD picture exhibits nicely restored images that, while dated, appear sharp and nicely detailed. Colors are well balanced, with accurate fleshtones, rich hues, and deep blacks. The darker scenes are often presented in a bluish hue with limited contrast. Viewers sensitive to edge enhancement will notice its distraction at times. There are some minor defects in the source element, which is otherwise clean. Overall, for the age of this film, the picture looks quite good. (Suzanne Hodges)
Soundtrack:
Despite the indication on the DVD cover that the audio is mono, there is actually very feeble and subtle stereo content for this Dolby® Digital 2.0 soundtrack. The sound quality, though significantly dated, is actually quite presentable with balanced tonality and reasonably natural-sounding dialogue. Background hiss is only subtly noticeable. The vintage audio certainly has been well-restored. (Jeffrey Kern)