| Edition |
Director's Cut |
| Release Date |
11/30/2004 |
| Packaging |
Keep Case |
| Screen Ratio |
2.35:1 |
| Subtitles |
English; Spanish |
| Audio Tracks |
ENGLISH: Dolby Digital 5.1 [CC]
ENGLISH: DTS 5.1 [CC]
FRENCH: Dolby Digital Surround
SPANISH: Dolby Digital Surround
|
| Layers |
Single Side, Dual Layer |
| No. of Disks/Tapes |
1 |
|
|
Anamophic
|
This 133-minute Director's Cut includes audio commentary by director Mark Steven Johnson and producer Avi Arad, a 15-minute making of featurette, and trailers for Alien Vs. Predator and I, Robot. |
|
Special Notes:
Available separately in a modified 1.33:1 (4:3) version.
Story Synopsis:
By day Matthew Murdock (Affleck) is an attorney, but by night he’s a costumed crime fighter known as Daredevil. A superhero of sorts, especially due to the fact that he is blind, he uses supersenses that were given to him after he had been doused with an unusual radioactive isotope. (Suzanne Hodges)
DVD Picture:
This new anamorphically enhanced 2.35:1 DVD exhibits picture quality that is virtually identical to the previously released theatrical edition of Daredevil, featuring seamlessly added scenes that make up the Director’s Cut. The picture is incredibly well contrasted, and with very nicely rendered shadow delineation for the many action scenes that take place in the extremely dark scenes set at night. Colors are incredibly saturated and perfectly follow comic book stylizations, with vivid hues and vibrant spot colors, natural fleshtones, and deep, unparalleled blacks. The scenes that flash back to Daredevil’s childhood have a bit of a desaturated appearance. Images are sharp and detailed, with nicely rendered clarity and textures. Edge enhancement is noticed and pixelization is occasional, as are some very slightly smeared details. (Suzanne Hodges)
Soundtrack:
With fantastic imaging throughout the soundfield and excellent pans across each sound wall, these Dolby® Digital 5.1-channel and DTS® Digital Surround™ soundtracks surely will not disappoint. Effects are localized well around the entire room, creating a truly holosonic™ experience. Voices sound very natural, however, there are instances of dialogue in the newly added scenes that show some ADR-type qualities. For the most part, however, voices do match the characteristics you would expect for the on-screen atmosphere and situation. Bass is deep and often drops below 25 Hz, even in the surround channels. LFE channel activity is prevalent continuously, adding that extra element to the soundtrack it is meant to provide. As with most comparisons between Dolby and DTS soundtracks, this one provides slightly better imaging articulation and deeper, more precise bass extension. Compared to the previous DVD release, not much in the audio presentation has changed. Besides the addition of new scenes-which generally blend seamlessly characteristics of the previous edition into the mix-elements of this soundtrack sound just as impressive and just as immersive. (Danny Richelieu)