Cellular
New Line Cinema (2004)
Action, Crime, Drama, Mystery, Thriller
In Collection
#605
8*
Seen ItYes
(6/13/2011)
794043763120
IMDB   6.5
92 mins USA/English
DVD  Region 1   PG-13
Caroline Aaron Marilyn Mooney
Brenda Ballard Irate Customer #1
Kim Basinger Jessica
Will Beinbrinck Young Security Guard
Jessica Biel Chloe
Chase Bloch Timid Boy
Chelsea Bloch Surf Girl's Friend
Chantille Boudousque Chloe's Chilly Friend
Robin Brenner Excitable Customer
Richard Burgi Craig
Paige Cannon Girl at Concert
Director David R. Ellis
Producer Dean Devlin
Lauren Lloyd
Richard Brener
Douglas Curtis
Writer Larry Cohen
Chris Morgan

A thin thread of electronic data may be the only thing that can save a women and her family in this thriller. Jessica Martin (Kim Basinger) is a biology teacher who is kidnapped by Greer (Jason Statham), a vicious criminal who has threatened to murder her husband and son if he doesn't get what he wants. Greer destroys the only working telephone in the cabin where she's held, but Jessica manages to put enough of the pieces together to send out a call that's picked up by Ryan (Chris Evans), a college student, on his cellular phone. Jessica manages to convince Ryan of the gravity of her situation, but she has no idea of where she's being held, leaving his cell phone as the only link to her whereabouts — and his batteries are starting to wear out. Cellular was scripted by Larry Cohen, the exploitation film auteur who enjoyed a major comeback with his script for another telephone-based story, Phone Booth. — Mark Deming
Edition Details
Release Date 1/18/2005
Packaging Keep Case
Screen Ratio 2.35:1
Subtitles English; Spanish
Audio Tracks ENGLISH: Dolby Digital 5.1 [CC]
ENGLISH: Dolby Digital Stereo [CC]
Layers Single Side, Single Layer
No. of Disks/Tapes 1
Personal Details
Purchase Date 1/26/2005
Owner Thomas Eisenmann
Store Best Buy
Purchase Price $19.99
Condition Excellent
Reviewed Widescreen Review
Bit Rate 448 KB
Anamophic Yes
Links All Movie Guide
DVD Empire
Amazon US
IMDB

Features
Anamophic
Special features include audio commentary by director David Ellis, and writers Larry Cohen and Chris Morgan; five deleted/alternate scenes; a 20-minute Calling Out featurette; a 26-minute Dialing Up Cellular making-of featurette; a 27-minute documentary about the LAPD Rampart Scandal of 1999 and how it relates to Cellular; the theatrical trailer, and bonus trailers. There is also DVD-ROM content.

Widescreen Review
Story Synopsis:
If you think there has already been a thriller that centers around a telephone written by Larry Cohen, you are right: Phone Booth. When Jessica Martin (Basinger) is kidnapped by a man threatening to murder her family, she has to act fast. She manages to salvage a demolished telephone by piecing the wires together enough to make a call. At the other end of the line is a college student on his Cellular phone. Can Jessica convince the kid to help her before his battery-and her time-runs out? (Suzanne Hodges)

DVD Picture:
The anamorphically enhanced 2.35:1 DVD picture exhibits richly saturated colors that are well balanced, with accurate fleshtones and deep blacks. Images are satisfyingly sharp and detailed, with good contrast and shadow delineation. At times the picture can appear a bit pasty or smeared. The annoying white halos of edge enhancement are noticed in some of the higher contrast scenes, but the distraction is not always apparent. Minor pixel breakup is also evident. (Suzanne Hodges)

Soundtrack:
With surrounds used well in filling the room with audio information, this Dolby® Digital 5.1-channel soundtrack creates a very engrossing soundfield from start to finish. Pans across each loudspeaker pair sound very good, and phantom imaging occurs frequently throughout the holosonic™ soundfield. Music is represented well, with a prominent use of the LFE channel to accentuate the low end, and a very broad front soundstage for instrumentals. Even in more intimate scenes without much action, the room is still filled with the sounds of the on-screen environment. Scenes with action present a barrage of sound through each of the main loudspeakers, with an aggressive LFE channel. Late in Chapter 5 you can find a good example of action scene imaging and panning through a constant barrage of sound. (Danny Richelieu)