| Series |
Mimic |
| Chapters |
11 |
| Release Date |
7/17/2001 |
| Packaging |
Keep Case |
| Screen Ratio |
1.85:1 |
| Audio Tracks |
ENGLISH: Dolby Digital 5.1 [CC]
|
| Layers |
Single Side, Dual Layer |
| No. of Disks/Tapes |
1 |
|
| Purchase Date |
7/17/2001 |
| Owner |
Thomas Eisenmann |
| Store |
Best Buy |
| Purchase Price |
$14.99 |
| Condition |
Excellent |
| Reviewed |
Widescreen Review
|
| Bit Rate |
384 KB |
| Anamophic |
Yes |
| Links |
IMDB
|
|
Anamophic
|
Includes “5 Days Of Mimic 2,” and a “Behind The Sound segment, and deleted scenes. |
|
Story Synopsis:
In Mimic 2, Remy Panos (Koromzay), an entomologist who survived the mayhem of the original Mimic, is now a biology teacher at a New York City school. She spends her evenings alone with her bug collection, as she cannot seem to find Mr. Right...let alone the fact that every time she meets Mr. Potential, he strangely disappears. As Detective Klaski (Campos) begins an investigation, Remy and Klaski learn that a mutated insect has taken special interest in her, and will do away with anyone who gets close to her. Based on the short story by Donald A. Wollheim and the characters created by Matthew Robbins and Guillermo Del Toro.
DVD Picture:
The anamorphically enhanced 1.78:1 DVD picture should nicely suit the film’s genre with its use of colors and slightly dark appearance. Colors are well balanced, at times stylized, with accurate fleshtones and deep blacks. Images are sharp and detailed, with good shadow delineation, even into the darkest scenes. Some scenes exhibit a softly focused appearance. There is a bit of edge enhancement noticed, but otherwise the picture is quite solid and should surely please. There is some occasional pixelization. (Suzanne Hodges)
Soundtrack:
The Dolby® Digital 5.1-channel soundtrack delivers a standout sonic presentation in terms of its far-reaching dimensional scope. The use of the low-end is exemplary with clean, rumbling deep bass utilization to well below 25 Hz in the main channels, and with substantial .1 LFE engagement at times. The soundstage is aggressively engaged, with prominent split surround activity, and a further sense of spaciousness can be realized through use of back surround decoding. Voices are delivered with reasonably natural tonality, and just a slightly forward-sounding presence. (Perry Sun)